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Meanwhile, the map simultaneously suggested a scarcity of writers from states such as Montana, the Dakotas, Idaho, and Wyoming (though, again, that may simply be a feature of that intentionally limited data set). Clicking on a blue or green point gives the name of the school and the Workshop writer(s) listed as director or founder. Witte of Iowa’s Department of Communication Studies—had the chance to go to Stanford University and meet with Professor McGurl, Professors Mark Algee-Hewitt and Franco Moretti , and other members of Stanford University’s Literary Lab. With a Joint Honours degree, you study two subjects and depending on how much time you want to spend on each subject, your degree may emphasise one subject more than the other, which is a major and minor programme. Snodgrass listed his hometown as Iowa City. Gore.  Mr. Green specializes in litigation and trials, and is interested to talk with current UK students about developing the skills necessary to succeed as a lawyer; choosing and excelling in law school; about what an attorney’s work is really like; and any other questions you might have about law school or the law. It is of the highest quality found in the UK. Moreover, with both layers on, the overall growth of schools where Workshop writers have been employed in positions of institutional significance is also illustrated. This post will highlight a new Google Maps visualization based on that data. Methods, provisions, online homework writing services and historical anomalies covered, let’s look at the maps. We could also get a greater sense of the ongoing movement of Workshop-affiliated writers into and between creative writing programs across the country. Here is the Google map I’ll be discussing throughout this post, “Workshop-Affiliated Directors and Founders of Creative Writing Programs (1976, 1992).” Feel free to click and explore. Students enrolling on this course at Northampton will be provided with their own brand new Hewlett Packard laptop* to keep at no additional cost. This map was made possible by the efforts of University of Iowa students Emma Husar and Abby Sevcik, who were instrumental in collecting and organizing the data presented here. As a part of the University of Kentucky's Visiting Writers Series, Roxane Gay visited campus on October 14, 2015.

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Toggling on and off layers, such the 1976 and 1992 director’s lists, allows for some changes over time to be seen. All sports clubs and societies are free to join at Northampton and every essential course text book is available via the library, mfa creative writing admission requirements meaning you won’t have to purchase copies. Throughout the period covered by the map there are a significant number of graduates listing Iowa City as home, a number that seems both out of place and comparable to much larger, more populous areas. Adrian Matejka, nationally renowned poet, will read at the University of Kentucky William T. In our earlier post, “Geography and Creative Writing with Google Maps,” the Program Era Project provided a sample visualization of some of the geographical data the Project had collected in its ongoing effort to document and better understand the expansion of the Creative Writing programs at universities across the United States during the second half of the 20th century. Both in terms of schools and hometowns, the map also bears a noticeable gap in states like Montana, the Dakotas, Idaho, and Wyoming, though this may just be an unusual feature of this data. First of all, this broader language helps account for the variety of degrees Workshop students earned at Iowa in the early days of the program, as well as the variety of ways those degrees were earned. Looking at the data in more detail, with names still connected to data points, shows how this anomaly likely occurred. I encourage you to play around with the map and we hope it gives you a sense of our aim to provide interactive digital research tools for the scholar and the curious alike, boise state creative writing program as well as the potential the Program Era Project has to offer new perspectives on the literary history of the 20th century. That isn’t to say, however, it can’t also be fun to speculate who points might be, points like a sole 1947 graduate from Milledgeville, GA. A reception will follow the ceremony. One other particularly interesting and unusual feature of the data is the significant number of graduates listing Iowa City itself as their hometown. Layer toggles are activated with the far left button on the top bar. Illustrating, once again, the wealth of historical records the Program Era Project has been able to access in the University Iowa’s Libraries Special Collections and University Archives, the data for this visualization was assembled by examining graduation programs and pamphlets distributed at University of Iowa commencement ceremonies between 1938 and 1960. If you like what you're reading online, why not take advantage of our subscription and get unlimited access to all of Times Higher Education's content? For their efforts in undertaking the sizable task of assembling and organizing these hometown records, the Program Era Project owes significant thanks to University of Iowa Students Emma Husar and Abby Sevcik, creative writing prompts for 9th grade who were crucial in stewarding this information from the archive to the database. In a later blog post, I will show some of the other approaches team member Nikki White has taken towards mapping hometown geographic data.

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It also allows users to see a collection of creative writing programs founded by Workshop writers and where Workshop-affiliated writers were serving as directors of other creative writing programs at two specific points in time: 1992 and approximately 1976. Workshop affiliated writers and scholars were receiving PhDs as well as MAs and, later, MFAs. Young Library at 7 p.m. Tuesday, Nov. As I’ve mentioned before, the Program Era Project is interested, whenever possible, in using our data to create sample visualizations and proof-of-concept work. The e-mail address is not made public and will only be used if you wish to receive a new password or wish to receive certain news or notifications by e-mail. So, in cases where information about Workshop author hometowns was available via author biographies, that hometown information was added to this map. Green markers are the locations of creative writing programs that reported, for the Wilbers survey, they were founded by Workshop writers. By taking advantage of different layers of information we can have on one Google Map, creative writing online stanford we can both account for (slight) variations in time and allow for different types of information to be toggled on and off. Your email address will not be published. Alternatively, you can study your subjects equally, resulting in a joint degree. Iowa City was not the poet’s hometown and he only lived in Iowa City for a relatively small portion of his life. Until the 1990’s English and Creative Writing remained, to varying degrees, institutionally intertwined, choosing between making money and doing what you love essay the two units only fully separating after the 1992 study mentioned in the previous post. Because of the closeness between these two units, deciphering the precise institutional position of an individual can require frequent cross referencing between resources and archives. It is still an evolving data set that will be further shaped by ongoing research.

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The previous visualization suggested that the Northeast, Midwest, and South had been home to a number of Workshop writers. First, the light blue points are schools that listed Workshop-affiliated writers as directors of their creative writing programs in Wilbers survey. Here is a link to the Google map I’ll be discussing for this second post on Geographic information assembled by the Program Era Project. In order to maintain the privacy of the graduates, we have stripped the records of all names. At the end of the previous post, I had written that the Program Era Project’s Nikki White had been working with a different collection of University of Iowa archival records to bring together a larger set of geographic data about the Workshop and its graduates. The key information for this new visualization came, as is often the case with the Program Era Project, from resources available through the University of Iowa Special Collections Library and the University Archives. So, while our previous map allowed viewers to get a sense of the migration of specific individuals into the Iowa Writer’s Workshop and out to positions of institutional significance at newly-forming creative writing programs across the country, this visualization offers the chance to get a better large-scale sense of what places writers were leaving to arrive at the Iowa Writer’s Workshop. Since the last post on New Readia, the team behind Mapping the Program Era—now renamed the Program Era Project—has continued its work on collecting historical and institutional records to chart the evolution of both the Iowa Writer’s Workshop and the literary phenomenon of creative writing programs during the second half of the 20th century.


Quick and Easy, each postcard would bear a single, bold image of an eye with space under it for a short, pointed message, communicating the fact that we the public are watching them.


Hand-drawn, the eyes would all be different. They could be crude or refined, simple or complex, cartoon-like or realistic, in black and white or color. Style and drawing skill do not matter. The only thing that matters is that the image is recognizable as an eye.

Eyes are easy to draw: one curving line above, one curving line below, and a circle in the middle. When in doubt, Google Images provides hundreds of images of eyes that can be copied.


The message under the eye should be short and ominous, along the lines of, but not limited to:

We Are Watching You


We Watch and We Vote

The Voters are Watching You

Citizens See All

They can also include a brief, topical message, such as:

Protect Mueller Investigation

Russia, Hand’s Off Our Elections

Clean Air, Clean Water, Clean Politicians

Equal Pay for Women

Build, Don’t Destroy

Train Us for a Changing Future

 Put Country above Party

GOP, the America Last Party

Going Backwards in All Directions

Imagine receiving such postcards, perhaps a few a day every day and from all over the country — all different but all with the same basic message.
We Are Watching You.

That should be enough to make the President and his cohorts quite paranoid.


President Donald J. Trump
The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500

Vice President Mike Pence
The White House, West Wing
1600 Pennsylvania Avenue NW
Washington, DC 20500

Senator Majority Leader
Mitchell McConnell

317 Russell Senate Office Building,
Washington, DC 20510

Speaker of the House Paul Ryan
1233 Longworth HOB
Washington, D.C. 20515

To contact U.S. Senators

To contact U.S. Representatives

To find address
of any current representative

For information about Government Agencies

For a list of Cabinet Members

For addresses of Cabinet Members
google: address of (name of cabinet post)



Feel free to download, print and color this set of 4 postcards!

We Watch and We Vote Postcards PDF - FRONT   We Watch and We Vote Postcards PDF - BACK